Take these nocturnes, they could be sentimental and sloppy but they're not. They're full of emotion but they're also full of contrast. She never lets ...he emotion dominate the quicker passages and yet she leads back into the slower ones without a jolt." You're right. Take the first and third movements of the 'Moonlight'. Total contrast and yet she made it whole. The way she plays it, it isn't a sonata in three movements but a sonata of three movements."Court thought about what she had said.. As he nears the top of the mountain he hears the high pitch cry of a young hatchling dragon, he stops and carefully glances around looking to see where mommy dragon might be, not seeing any sign of her, he continues, (very quietly, of course), on his way up the mountain. Once he reaches the summit of Mount Goldspeak, he cautiously peaks his head over the edge, and sees the evil wizard's tower, and the furious dragon that is guarding the tower and the princess. Upon seeing the furious dragon. More

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